Category: Films

Using Natural Light for Video

By Bylinegmcd on

Using Natural Light for Video

Quite often using natural light for your documentary video production is your only option. Bringing in lights and a lot of equipment and taking time to set everything up just isn’t feasible on many documentaries or docuseries.

That’s true for both feature documentaries and business docu-style videos where you’re filming interviews with busy executives and/or customers and you have a very short window of time to get your shot so you better move quickly! In these situations it’s essential to master the art of ‘using what you got’ which means making the most of natural light.

I seem to do a lot of shooting in natural light. Check out some of my photography.

Making use of window

There are many aspects of using natural light, each deserving its own post. So in this article I’m going to focus on using window light. Why? Because a docu-style video is probably the most common and widely produced format of business videos. And what do just about all of them involve? Filming interviews in a room with a window!

3 different looks with window light

Depending upon where you place your subject and camera, you will be able to get 3 different looks using the light from the window. No matter the look you’re going for, you usually don’t want direct sunlight. That is, sunlight that comes through the window and directly shines on the subject. Unless of course, you’re going to use direct sunlight for a specific look.

Generally speaking though, you want indirect light which will give you the most pleasing results and provides more versatility, not to mention no additional exposure issues. The three lighting setups below are based on indirect lighting.

Side light

Side light enables you to create more form in the image as it produces the most shadows.

A man gives an interview to camera in a corporate documentary style video
Subject is lit by a big window on the right and is augmented by a soft light. An edge light is added on the left behind the interviewee

The subject has one side toward the window with the other side away. Depending upon the amount of light and where exactly the subject is placed will determine the amount of shadow.

Rotate the subject from 45° toward the window to parallel with it to 45° away from the window to attain the degree of drama you’re looking for.

Related: Hemp Already video docuseries.

a candid photo of a redheaded woman after getting her makeup done
In this shot, the window is on the left side with heavy shadows on the opposite side

Front light

When front lighting, the subject faces the window. The cinematographer or photographer has their back to the window, In other words, you’re between the window and the subject.

This set up creates very few shadows on your subject. When facial features aren’t defined by shadows it’s called “flat” lighting. Flat lighting may sound like a negative but it’s often a desired look like in beauty videos so you can see the makeup clearly. It’s also desirable in a corporate video production that wants a bright and happy feel.

Flat lighting is created when the subject faces diffused window light that is directly behind the camera

Backlight

In backlit set ups, the window light is behind the subject and the camera faces it. This often results in the window light being blown out in the final image as the window light will be much brighter than the subject.

You can easily fix this by either bouncing light back on the subject with a reflector or by using a light. For interviews I usually don’t use a backlit set up and if I did, I would only do so when a more subtle backlight could be achieved.

Related: how to shoot beauty at the beach.

However, backlit shots are great for b-roll or other footage or images needed in your project. I certainly make use of them when the opportunity presents itself. For example, in the frame below we were filming a documentary video production about a musician at magic hour. The sun created a beautiful backlit scene for the conversation that was taking place.

The sun is behind the subjects and to the right, backlighting the scene and creating cool flares

So there you have it. Next time you’re scrambling to film your corporate video production with busy interviewees use the situation to your advantage and make use of natural light for your documentary video production.

The Shortest Horror Movie In The World

By Bylinegmcd on

The Shortest Horror Movie In The World

I give you – The Shortest Horror Movie In The World.

It’s got everything; an identifiable character, a universal theme, tension, mystery and a surprise ending that doesn’t spoon feed you the answer, leaving the interpretation up to you. All in 25 seconds. Only a slacker would need 2 hours to tell a story.

A silly spur-of-the-moment video I made while I was out location scouting although I’ve been told it’s better than the Blair Witch Project.

After my encounter in the desert, I’m happy to say I’m doing fine. It was a close call but I came out the other side. A little roughed up but okay.

A lot of hard work went into making this film and I’m very proud of the result. I think this is the one they’ll remember me for. It’s a pinnacle, a zenith, a high bar and a tough act to follow but I’m up for the challenge.

Related: using natural light for video

You never know what you’ll find location scouting

I was location scouting in the high desert for my short, Nowhere In The Universe when I shot this. It won Best Comedy Film and the Audience Choice Award at the LA Film Forum.

Scouting locations in the desert is always a good time for me. Strange, cool and/or creepy things always seem to to pop up.

Related post: watch my after party interview at the La Jolla International Fashion Film Festiva.

On this trip, I not only found the locations where we later shot the film at (where I made this video was one of them) but I also found several other locations that might be good for something some day.

Several broken down abandoned buildings and an interesting dry river bed stood out as places to make note of for future shoots. I also found a military zone as seen in the photo below.

Military zone with unexploded devices in the area

The sign says there are unexploded devices and dangerous weapons in the area and not to touch anything. No prob, you had my attention at ‘unexploded devices.

They don’t make motels like they used to

It was somewhat of a surprise to come across Roy’s Motel and Cafe on this trip. I had seen photographs of Roy’s before but wasn’t sure where it was. It’s located in Amboy, California on old Route 66.

The motel has long been out of operation and only a small gift shop is open inside the old gas station. However, I didn’t venture in. It looked like it was filled with the typical tourist crap you can find anywhere.

There’s a vacancy at Roy’s Motel & Cafe.

Although not in operation, the old motel rooms are open for people to walk in and check out. Helpful tip for when asking a tourist to take a photo of you: make sure they speak the language you do.

I asked this woman who got off a bus full of tourists if she could take a photo of me in front of the Roy’s sign. I said, “make sure you get the whole sign”. She nodded and trained my cell phone at me.

After snapping a couple of pics she handed my phone back to me and off she went to join back up with her tour group. I looked at the photos and this is what she took.

I asked her to make sure to get the whole sign. She smiled and nodded.

Well there’s my origin story on how the shortest horror movie in the world came to be.

Related: alien makeup timelapse.

After Party Interview

By Bylinegmcd on

After Party Interview

Earlier this year I found this clip of our after party interview at the La Jolla International Fashion Film Festival. I’m with cinematographer Roberto Correa and we’re talking about our film, The Selfie That Changed The World. I remember doing it but forgot all about it until I stumbled upon it.

Where you drunk during the interview?

Even though this interview took place at the after party around 1am at The Lot, a bar and restaurant in La Jolla, and I appear to forget what I did on the film near the beginning of the video, I assure you I was very lucid.

We had a very good time at the festival and our film got a great response. The film is a fashion comedy that takes a peek inside the mind of a selfie addict. It was nominated for Best Creative Direction and Best Narration. The actor, Brandon Bernath, got nominated for Best Actor in CinéFashion Film Awards put on by Cinémoi.

festival best creative direction la jolla international fashion film
Brandon Bernath, nominated for Best Actor in the CinéFashionFilm Awards

You can watch a clip of Roberto and I introducing the film at the festival on the Fashion Film Network‘s vimeo channel and read about it in our post here.

Related article: we won Best Comedy Film and Audience Choice Award.

The best moment of the festival

The best moment of the festival for me was when another filmmaker came up to me and said because of the film, no one was taking any selfies after the screening. Yes! The film had some kind of affect.

It felt good to get a strong reaction like that with the film. Not to mention, selfies are to photography what McDonald’s is to food so the stopping of selfie taking was a good thing and I feel I made the world a better place if only for a short time.

Related: the shortest horror movie in the world.

Needless to say, the self-imposed selfie ban didn’t last long and people were back to snapping selfies later on. But it was nice while it lasted.

Read more in our blog post about us at the La Jolla International Fashion Film Festival.

Need a break? Of course you do! Take 1.5 minutes and watch No Words, a video poem. A short film about nature and our neglect of it.

pretty blonde woman in sunglasses in comedic fashion film
Christine Wood in The Selfie That Changed The World